In some occasions, the Arabic script has been used in the west for its magical qualities, not to express meaning or clarify matters, but only to use the mystical power of its complicated shapes. It has helped him in his designs.
Nobody would expect this kind of frivolities coming from this Muslim country. They briefly shed light on the function and role of text in architectural spaces, discussing specific historical and contemporary examples from cities like Beirut, Dubai, Muscat, Cairo, Rotterdam and Amsterdam, and addressing the various roles of monumental typography in public space.
She is also generously built and wears beautiful colorful traditional Lebanese dresses.
He made comparisons between designing type for a foreign script like Arabic and choreography in the way that both processes require working with no set rules and delving into unfamiliar territories.
He believes that it can teach western typographers a lesson. Around 50 people Typographic matchmaking project ultimately engaged in the making of this project from design to final product, designing and building the exhibition.
This kind of media attention and passionate response from the Dutch and international public testifies to the need for such projects to bring the socio-political debates into the public domain. He gave us an impression of the commissions he has been involved in so far.
She works already for a number of years for Linotype and is occupied with the development and marketing of the Arabic font collection.
The Dutch government funded this project. She generates warmth, enthusiasm and will power all the way up to the farthest seat in the conference room. Willem Velthoven spoke about his first experiences in the Arab world during the Kitabat conference in Dubai.
These essays frame and contextualize the research and designs presented by the five teams participating in the Typographic Matchmaking in the City project.
All fonts use hanging monospaced figures. She finds this a bit upsetting and invites publishers to show more courage when showing unknown aspects of Middle Eastern culture that would bring the current mostly one sided image slightly more in balance.
The Mediamatic international team of designers, with the 6 young Arab graphic designers as central to the whole project, went to work on making this ambitious event a reality. The optical interpolation b, in the three stems a thinnestb interpolation and c thickestis set to the geometric mean of a and c, i.
Slowpoke is part of typography beard guide to this paper typographic style. Historians can provide at times sobering information.
It shows a frighteningly skewed portrait of Arabic culture. Jelle showed the development of the site and all improvements that were made over the years. It will no doubt stimulate a more contemporary version of traditional Arabic decorative patterns.
Nadine Chahine is a member of the new generation of Arab type designers that is so urgently needed in the Arab world. Simple scribbles may contain immense power.
It is an essential human tool to exercise control and make progress. TheMixMono[ edit ] It is a monospaced variant.
Island--City-Scape — matchmaking events meant that pack a pluralistic public space: He believes that the focus is maybe too much on the letterforms and its often-complicated particularities.
Effective adaptation to modern media stands for general progress, and people should be inclined to find strategies for embracing change. However, the Syrian lingerie culture is not meant to stimulate sexual desires as is the case in the West.
But she keeps on smiling and she is absolutely convinced that she has to stay where she is now and change the environment according to her own standards. Typographic Matchmaking in the City project, described the charge given to its organizers and designers as follows: Tarek Atrissi is an entrepreneurial designer, he is residing in the Netherlands but his studio serves local and international clients but mainly clients from all over the Arab world.
Around 50 people were ultimately engaged in the making of this project from design to final product, designing and building the exhibition. Nadine mentioned repeatedly the rather unfortunate general disrespectful behavior towards intellectual property right in the Arab world.
The exhibition was further pushed by Mediamatic to include ongoing culture events like a fashion show, music performances, workshops, and weekly gatherings that revolved around discussing and experiencing various aspects of Arab cultures from cuisine, to art, to music, to film and design.
Latin type design has exhausted the perfection in meeting the constrains of legibility, balanced kerning and even rhythm and spacing of the text. They may show us that a lot of things that seem new to us have been done already earlier in history and that real cultural innovation happens only on pretty rare occasions, contrary to our natural believe that what seems to be innovative within our own lifespan is also truly new.
This exhibition was a very effective way of spreading the fonts beyond the confines of the design circles and traditional exhibition conventions. Their work is fresh, bold and convincing. She showed pictures taken from a recent publication about the lingerie culture in Syria. His message to contemporary type designers is:The Typographic Matchmaking project (Arabic fonts and book), the Khatt online community (palmolive2day.com), the Khatt Kufi and Kaffiya.
The Typographic Matchmaking in the Maghreb project explores the diversity of the Maghreb culture and at the same time works to find common grounds between the Arab, Berber and European cultures. The project is an unique and creative initiative that improves the dialogue and understanding between the European and Arab world.
The Typographic Matchmaking in the City book offers a brief range of essays that discuss the complex topic of public space from their respective authors’ individual experiences and perspectives. Through specific anecdotes, they elucidate the problems and implications of designing for “public space” and multicultural communities.
These essays frame and contextualize the research and. I confess that part of my appreciation for Kufam in particular, and for the typefaces of the Typographic Matchmaking project generally, comes from their implied rebuke of kitschy “ethnic” display fonts, drawn (usually badly) to caricature the gestures of non-Latin scripts for Western audiences.
And I’m grateful for any project in which.
Typographic Matchmaking in the City was a design research project investigating new approaches for bilingual lettering in public space. The project brought together Dutch and Middle Eastern designers who collaborated on designing new bilingual typefaces conceived for 3-dimensional space.
Custom merchandise in the city project typographic matchmaking in the city - category: building public art products like the typographic niceties.
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